Another Kind of Art of the Automobile

Another Local Resource

With all the hooplah over the reopening of the Petersen Automotive Museum in Los Angeles it’s good to remember that the edifice is founded in a hobby. Robert Petersen’s fortune, and the collection that it allowed him to assemble, came from a publishing empire that started with a little special-interest magazine named Hot Rod.

Every year at this time the faithful of the Rod and Custom hobbies (Sometimes the lines between the two get blurred.) gather in Pomona for the Grand National Roadster Show, where you’ll see more sparkling chrome, shimmering clear coat, sensuous sheet metal and mouth-watering color than just about anywhere else on earth.

The 2016 AMBR Award

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Sometimes classic proportions and detailed execution win out over flash and exaggeration. Darryl and Terri Hollenbeck recruited Dan Webb and Cory Taulbert to help in the building of the Hollenbeck32, a car that might have just completed a SCTA run on a California dry lake. If you visit the Petersen, you can see the Hot Rod Magazine 5oth anniversary tribute car, built by Terri’s father, two-time AMBR winner Andy Brizio. Darryl calls the color he mixed, “rotten avocado.”
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Beauty in all Forms

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Following the passing of legendary King of Kustoms George Barris, it is only appropriate that his famous Lincoln Futura-based TV Batmobile be a featured display.

Deja Vu All Over Again

Some of the roadsters shown alongside this year’s AMBR contenders caused us to do a double take. Several award winners from the an earlier event were displayed, perhaps for a historic perspective?

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2010 multiple award-winner Magnatude (above) was back, as was Metallica’s James Hetfield’s Aquarius (below), a car that would look right at home in the Bruce Meyer Gallery’s current exhibit of Precious Metal at the Petersen.
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BlueBayouIMG_4655We appreciate a good (or bad) pun as much or more than the next guy, so Charles C. Evans’ Deuce, Blue Bayou (Blew By You – get it?), built by Charly’s Garage, Mesa Arizona, attracted our attention almost as much as its unusual sky blue hue and honkin’ Chrysler Fire Power Hemi V8.

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Another Hemi-powered (’57 401 CID) Deuce, Gary Metranga’s aero-informed creation shuns many traditional roadster cues with hidden headlights (rectangular, no less) and refrigerator white scheme.

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Hollywood Hot Rods of Burbank created this eye-rest green ’36 Ford Roadster based on a design by Eric Black for Jeff Romig, incorporating ideas from the Lincolns being built alongside them at the Ford plant on Long Beach’s Ford Avenue.

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It’s not all Deuces, and anyway who can resist a great flame job, like the one on this ’39 Ford Convertible?
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Chopped tops, lots of chrome, and wild paint characterize a pair of turn-of-the-half-century customs. Ford and Chevrolet may be bitter rivals in the market but here a Mercury and Chevy can co-exist peacefully.

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No Rod Report would be complete without at least one Little Deuce Coupe. Bob and Sherry Franklin’s Green Thump has a custom Van Gordon supercharged V8 in place of a flathead mill.

1947CadillacIMG_4850
Nancy and Buddy Jordan’s 1947 Cadillac in gorgeous “Sparkling Merlot” is CadZZilla dialed back about six notches.

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It’s all about rescuing a nice old car. Gotta love the before and after comparisons – even if it’s just approximate.

LilacCadillacIMG_4719
You gotta show at least one lilac Cadillac,

MickeyThompsonCorvetteIMG_4769
. . . one real racing sports car (Mickey Thompson’s Z06 Corvette with the 427 “Mystery Motor” driven by Junior Johnson at Daytona in 1963), 

SomethingOutrageousIMG_4727
 . . . and one really outrageous – something.

Adding to the fun is the thought that one of these will no doubt soon show up in one of the galleries at the Petersen. Drop on by and see.

 

 

 

 

Posted in 2016 AMBR, Car Commentary, Grand National Roaster Show, Hemi, Hot Rods, Roadsters, Uncategorized | Tagged , , , , , , , , , , , , , , , , , , , , , , | 1 Comment

The Petersen Re-Imagined I

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Los Angeles’ Museum Row Gets New Landmark Look

The PetersenAtNight02
The exterior treatment of the new Petersen is stunning, especially at night.

As media reaction to the new Petersen Automotive Museum exterior’s hot rod flame treatment rolls out it’s difficult not to be reminded of how critics panned the design of the Disney Concert Hall downtown.

Our most vivid recollection is of someone remarking that it looked as though they’d left the architectural model sitting out in the rain. A while back we had an extended opportunity to experience it on a daily basis, and it seemed everyone who passed was admiring it. Look at any rack of postcards in the area and you’re sure to find pictures of it. It’s become something of a symbol of the city.

In our opinion, the new Petersen is headed toward that kind of acceptance. It will be the southwest anchor of the Miracle Mile and Museum Row in Los Angeles, and as one critic admitted, the public will probably love it.

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The Penthouse Deck on the fourth floor retains the original tea room from the days of the original Seibu Department Store that constitutes the bones of the building, with the exuberant treatment of the building exterior flowing overhead.

You don’t have to pay the admission fee to see a few great cars at the Petersen. The Mullin Family Concourse is open to the public, giving access to all of Museum Row from the Petersen’s garage, and teases with a few automotive treasures to entice you in.

IMG_4156RoundDoorRolls
Walking into the concourse, one of the first cars you see now is among the most famous of the Petersen Collection, this 1925 Rolls-Royce Phantom I – the “Round-Door Rolls.”

Originally an open car, the Round Door Rolls was rebodied by truck builder Jonckheer of Belgium in 1934, reportedly for the sole purpose of winning concours. It worked. The car won the Prix d’Honneur at the Concours d’Elegance at Cannes in 1936. The car had a short show-biz career in a carnival, painted gold and passed off as the Prince of Wales’ ride. Found in derelict condition, it is one of the few cars in the collection actually restored under the Petersens’ care.

Big Changes

The previous Museum’s first floor consisted of a Streetscape, depicting the history of Los Angeles and the cars that facilitated its sprawl, illustrated in dioramas and exhibiting cars from the times. The second floor had an alternative fuels exhibit and several galleries for rotating exhibits based on themes. The third floor had offices and the Discovery Center where kids could learn about cars and play with automotive-themed artifacts.

The trouble with that scheme was that it severely limited how many of the over 300 cars in the Petersen Collection could be displayed at any one time, not to mention any cars loaned from other collectors and museums.

Now all three floors are chock-full of cars, arranged in three themes. They are arranged so that they are best experienced from the top down.

The Third Floor

Administrative offices went to the basement and it’s now themed as the History of the Automobile, arranged by themes rather than chronology.

It starts with one of the Museum’s Crown Jewels, the Steve McQueen 1956 Jaguar XK-SS, in front of a screen showing a film about what we like about our cars, what we do with them, and where we go with them.

On this floor there’s everything from the Collection’s 1886 Benz Patent Motorwagen to one of the earliest pilot production Dodge Viper SRT8s.

There’s a row of cars associated with Hollywood, including the Volkswagen van from Little Miss Sunshine, one of Fatty Arbuckle’s cars (a Renault), Elvis Presley’s DeTomaso Pantera, complete with the bullet holes it got when he shot it for failing to start, the Magnum P.I. Ferrari, and an Aston Martin DB10 from the James Bond movie Spectre.

IMG_4436DB10
One of the James Bond Aston Martins, a DB5 FHC from Goldfinger, complete with ejector seat and tire slicers, is included in the Precious Metal exhibit. This one, a DB10 from Spectre, closes the Circle to date, and is among the Hollywood cars on exhibit, a small sample of the Museum’s extensive collection.

There are rods and customs, including two of the nine America’s Most Beautiful Roadsters (AMBR) in the Petersen’s Collection. One is the very first rod to win the AMBR award in 1950 at the Oakland Roadster Show (now the Grand National Roadster Show, held in Pomona).

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We’re not alone in considering this the most beautiful custom car ever built. 26 years ago Billy Gibbons, lead guitarist for ZZ Top commissioned legendary customizer Boyd Coddington to create CadZZilla on a 1948 Cadillac Series 62 Sedanette foundation based on a concept Gibbons imagined with Cadillac designer Larry Erickson. Gibbons shows the car here and there, but usually it calls the Petersen home.

HirohataMercury01
Recently deceased George Barris partnered with his brother Sam in 1952 to create the quintessential ’49-51 Mercury “Kustom Koupe,” chopping the top and removing the “B” pillars, among other features.

Appropriate for a museum founded by the Petersens and co-chaired by prominent hot rod collector Bruce Meyer, hot rods have a significant presence, including one that pretty much set the pattern for Deuce roadsters.

IMG_4264DoanSpencerRoadsterBigger
The genesis of the Doane Spencer Roadster, currently a key component of Petersen Co-Chair Bruce Meyer’s collection, goes all the way back to 1944. It’s the first Deuce to be fitted with a DuVall windshield (Hot rodders keep track of these things.) and introduced other features later copied on other Deuces. At one time it was prepared to race in the Carrera Panamericana, receiving extra chassis bracing and exhaust was channeled through the frame rails for improved ground clearance.

AMBRNo1
The “Niekamp” Roadster, winner of the first AMBR award. Like most rods, it’s made up of pieces from four or five different cars, with some custom fabricated parts. In the Background is a mildly customized Mercury, and the largest-selling motorized vehicle in history, the 50cc Honda Cub.

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In 2010 Scott’s Hot Rods were racing literally up to the last minute to meet the 12:00 deadline for entering “Possessed” in the AMBR competition, facing setbacks like wrong-size tires and a freeway snarl between Oxnard and Pomona 90 miles away. They arrived at the scrutineers with the trailer dragging traffic cones and chased by parking attendants, at 11:59. The story wouldn’t be nearly as interesting if they hadn’t won.

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General Motors didn’t want any of its concept cars to fall into private hands, and ordered them destroyed. Fortunately for us, several were discovered in pieces in a junk yard by Joe Bortz, who rescued them and restored them. This is the 1955 Chevrolet Biscayne XP37, whose lines hold up pretty well today. Sharp eyes may recognize some design elements that showed up in the Corvette and Corvair.

The Second Floor

The Second floor is dedicated to the Automotive Industry. Everything from the earliest stages of product planning to the showroom floor is explored. There’s even a studio that’s an extension of the Art Center College of Design, where design students will work on their projects.

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Car construction is illustrated with a cutaway of a Jaguar XKF.

The new Discovery Center lures the kids (of all sizes) in with interactive displays created by Pixar, using its Cars characters (with the actual actors voicing them) to demonstrate how cars work, and allowing the participants to design their own cars.

IMG_4293LightningMcQueen
Lightning McQueen, in full size, gets star billing in the new Discovery center. The movie character was actually engineered according to current NASCAR practice to insure accurate depiction of the car’s behavior on the road or track (up to a point, of course) in the movie. As a result, the interactive displays that show his inner workings are both correct and true to the character.

IMG_4265Quatroporte
There is an exhibit showing the stages of building a Maserati Quatroporte, one of the most beautiful four-door sedans available today. Here is the Final Product.

Motorsports as a driver of design and engineering is a major theme on the second floor. One large room displays significant racing cars from the Nearburg Collection, with a 180 degree wrap-around film depicting racing in all its varieties and nuances.

CarreraLancia
Road racing in the early ’50s was contested by the greats – Ferrari, Mercedes-Benz, Jaguar, etc. Not to be forgotten is Lancia, whose D24s won both the Targa Florio and the Mille Miglia. This 1953 D24R is the car that Juan Manuel Fangio drove to victory in the 1953 Carrera Panamericana.

IMG_4255KenBlockFiesta
In the electronic age, it is not just racing that manufacturers use to convey an image of performance. Ford reaps tremendous PR from the YouTube exploits of Ken Block in his 650 horsepower all-wheel drive Ford Fiesta.

Individual Exuberance

In many cases, it was the work of back-yard mechanics and the shops that served them that pushed American manufacturers to improve performance in their cars. Young men who had learned skills in the service during WWII came home and continued a tradition begun long before, of building their own cars from pieces of others, perhaps scavenged in junk yards.

HRM50thAnniversaryRod
Robert Petersen was the first to recognize the popularity of hot rodding and put the sport in print. In January of 1948 he published Volume One Number One of Hot Rod magazine. Regg Schlemmer’s roadster graced the cover of that issue (inset), and served as the inspiration for Roy Brizio’s tribute car, commissioned to celebrate the 50th anniversary of the magazine.

Two Wheels Only

There was a short period in transportation history when the fastest form of travel was by motorcycle. The Petersen’s extremely compact motorcycle exhibit spans from a 1903 Thor to a 2015 Kawasaki supercharged  liter bike with over 300 horsepower. In between there are bikes with one, two, four, six and eight cylinders (unaccountably omitting the Triumph and BSA triples), and an example of some of the most significant motorcycles ever. The word “iconic” is grossly overused but certainly applies here.

Other motorcycles, such as Steve McQueen’s Indian Big Chief and an example of the first four-cylinder motorcycle can be found on the third floor.

IMG_4192Brough
Anyone who has seen the David Lean movie Lawrence of Arabia has seen a Brough Superior. T. E. Lawrence owned at least four of these expensive motorcycles, and it was on one of these that he crashed in 1935 as seen in the movie. This is “Old Bill” the prototype SS80 that George Brough himself raced to great success in hill climbs. The Red machine behind on the left is a Crocker, built in Los Angeles and said to outperform the Indians and Harley-Davidsons of the day.

Silver Salute

Today we seem awash in silver cars. At one time though, the combination of silver paint and lots of bright metal was a feature of the most elegant and prestigious cars, going back to AX201, the 1907 Silver Ghost Rolls-Royce. For its opening, the Museum presents ten stunning silver cars, ranging from a Ghia Fiat Supersonic two-liter V8 to the all-conquering “Silver Arrow” Mercedes Benz W196.

3BISsStanding in one place, one is within feet of three cars that have won the prestigious title of Best in Show at the Pebble Beach Concours d’Elegance. Viewed over the starboard wing of the Aston Martin DB5 from Goldfinger, on the right is the Nethercutt’s 1933 Duesenberg J Rolston Arlington Torpedo Sedan called the “Twenty Grand” for it’s purchase price. On the left is Jon Shirley’s 1953 Ferrari 375 MM, originally owned by film director Roberto Rosellini who had it rebodied by Scaglietti. Behind it is the 2009 Best in Show 1937 Horch 853 Cabriolet, with a few period-correct enhancements added since it won.

SaoutchickHiso
The Mullin Collection’s 1938 Hispano Suiza Dubonnet Xenia with aero bodywork by Saoutchick. There are more typical examples of French coachwork in the first floor Mullin gallery, but none more impressive than this. The doors open parallel to the car’s axis on patented parallelogram hinges, and the suspension design by the heir to the Dubonnet aperitif fortune, André Dubonnet, was bought by General Motors.

The First Floor

Art on Autos, and Vice Versa

In 1975 Hervé Poulain persuaded BMW Motorsport Director Jochen Neerpasch to supply a car for him to race at Le Mans. He then commissioned American artist Alexander Calder to unleash his creativity on the car, creating the first “Art Car.” The idea caught on, and BMW bought into the idea, commissioning 17 other artists to create their own versions. The Armand Hammer Foundation Gallery was devoted to an exhibition relating that series.

IMG_4372CalderBMW
The car that started it all. 1975 BMW 3.0 CSL Le Mans race car with decorative paint job by Alexander Calder. Behind it is the BMW 850si painted by David Hockney, and on the wall are pictures and descriptions of the other BMW Art Cars.

Car Painting
It’s one thing to paint a car, but BMW got creative and used a car to paint. This is a section of a huge “canvas” created by taking the BMW Z4 displayed and applying paint to its tires with squirters, then driving it as directed by the artist, Robin Rhode.

Cars as Sculpture

The Art Deco movement affected every aspect of design. On cars it manifested as an attempt to capture the idea of speed and motion in the design of the vehicle itself. Aerodynamics were studied and applied. The result in many cases was a car that looked as though it was moving fast while standing still.

Since the French were at the forefront of the movement, there are bound to be  mutterings that the Museum’s Board Co-Chairman Peter Mullin is turning a museum founded on hot rodding into a French car museum, but with an entire museum of his own in Oxnard devoted to that theme, there’s little to fear.

IMG_4415Bugatti57SCAtlantic
The upside of the Mullin connection is that the Petersen gets to show some of the most stunning cars ever built. The car rumored to have set a record for the private sale of a car ($35 million), the 1936 Bugatti Type 57SC Atlantic above, was in the Art of the Automobile display.

With almost 100,000 square feet of display space, the reader will understand that only a tiny fraction of the experience is documented here, and no photograph can convey what you experience seeing it in person. On top of that are all the interactive features, including the Forza Racing Experience, where you can drive a simulator and compete with real racing drivers and your friends and neighbors. During the real Le Mans race in June you can actually race in real time as though you were there.

So the obvious admonition is to get down to the Petersen Automotive Museum yourself and experience it personally. Admission fees are reasonable (Adults: $15, Students and Seniors: $12, Kids: $7, Under 3 free). The first 20 minutes of parking is free if you want to dash in and buy a Holiday  gift at the store.

CARMA is a publication of The OM Dude Press
a service of Options in Mobility
Author, Editor, Publisher, Reporter, Historian, Archivist: Dick Stewart.
All photographs are by the author unless attributed otherwise.

 

 

 

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2015 LA Auto Show Faves – I

Intros & Newcomers

Some people may attend an event like the 2015 Los Angeles International Auto Show to get a chance to see all the candidates for a new car purchase in one setting. Some may just want to see the cars they’ve been reading and hearing about for a year. We go to see what’s new.

Finally! The real thing!

IMG_3457AcuraNSX2.0
Honda has been teasing us about a sequel to the 1990 – 2005 game-changing NSX mid-engine exotic, with Superbowl adds featuring Jay Leno and Jerry Seinfeld fighting over first delivery rights, for years. Now it’s actually here, and you’ll pardon us for being underwhelmed.

Acura’s NSX follows current exotic practice with a hybrid powertrain featuring a mid-mounted 500 horsepower twin turbo 3.5 liter V6 and three electric motors for a total power output of 573 horsepower.

This is not news. Twenty-three years ago Jaguar introduced the XJ220 with a 3.5 liter twin turbo V6 and 542 horsepower. BMW, Porsche, Ferrari and McLaren have all introduced exotic hybrid sports cars in the last year, many with specifications that far surpass the new NSX.

The car is not even built on a carbon fiber tub – nearly mandatory in order to be taken seriously these days.

So it’s a little hard to get excited over such limited progress. In point of fact, it sounds only marginally more exciting than a standard Corvette – not even a Z06. It isn’t even all that exotic looking. Maybe it would look more compelling in a brighter color.

At an estimated price around $160,000, it will have little competition among mid-engine exotics. Depending on options, perhaps an Audi R8 might qualify, and a McLaren 570S is just a bit more dear.

A Big Gamble

Fifty years ago, Ford committed huge resources in a bid to unseat Ferrari as the premier maker of endurance racing machinery. They succeeded, sweeping the podium at Le Mans with their NASCAR-engined GT40s. Since then they produced a more civilized tribute to those cars in the limited-production (and bargain-priced by exotic standards) Ford GT.

But that was a street car – sold for fast touring and showing at your local concours d’elegance. Now Ford is getting serious again. Their new exotic could bring new glory to Ford – or fall flat on its face.

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Ford’s new GT is another 3.5 liter twin turbo-powered exotic. Get in line quickly (only about 1,000 will be made) and you may be able to buy one – depending on how much equity you have in your house, or how deep your pockets are. Pricing is estimated at about a quarter million dollars.

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Ford is counting on the tie-in between the race version of the GT and its turbocharged small displacement consumer “EcoBoost” products to bring those power trains popular legitimacy as they move away from large displacement naturally aspirated engines.

Ford Focus – Video Game Version

With youth less interested in car culture (Many teens no longer lust after that first driver’s license.) it has become important to place automotive products where the kids will see them – in computer games where the reigning champs are Japanese and European hot hatches.

IMG_3797FordFocusRS
That EcoBoost ethic that informs and powers the new Ford GT also motivates the finally-come-to-the-US Ford Focus RS. Only 2.3 liters, but sending 350 horsepower and 350 pound-feet of torque to all four wheels, so those who were mesmerized by the YouTube exploits of Ken Block can now become hot hatch hooligans too, for a base MSRP of $36,605.

Return of the Italians

Alfa Romeo

Alfa Romeo is a brand with a racing heritage that predates Ford’s by a half century or more. They ceased selling cars in the United States in 1995. Although frequent rumors had them returning many times, it was not until the expensive high-performance 8C Competizione was offered here in 2008 that the marque reappeared.

That car had extremely limited production, but at last, in 2014 they introduced the lightweight, sharply focused 4C Coupe, making a more affordable Italian sports car available again.

But that car’s narrow focus on driver involvement (no power steering) at the expense of comfort insured that it would never sell in high volumes. For that, and for the long-term viability of the brand, they needed a sedan – one that could satisfy the high expectations of Alfa enthusiasts – the Alfisti.

The initial offering in the US is the upscale Giulia Quadrifoglio model, expected to sell in the $70,000 range. Expected later is a 2.2 liter “Multijet” turbo four that makes 197 horsepower and 320 pound-feet of torque in the corporate sibling Jeep Cherokee.

Alfa Guilia Quadrifoglio

When Alfa Romeo’s Giulia sport sedan came to the US, Alfa came out with all guns blazing with the highest performance version, the 505 horsepower Quadrifoglio. Alfisti expect great things, with a reported lap time at the  Nurbürgring faster than a BMW M4.  

The “Fiata”

Okay. we didn’t come up with that one. It’s what some in the press are calling Fiat’s new sports car built in collaboration with Mazda.

A little background.

In 1966 Fiat introduced a sports roadster powered by a sweet little dual overhead cam four, and priced within the reach of ordinary enthusiasts. The body was a Pininfarina design penned by Tom Tjaarda, who worked on the Chevrolet Sting Ray and DeTomaso Pantera, among others.

One of those others was the beautiful Ferrari 275 GTS, and no one could look at that car next to the Fiat 124 Spider and miss the resemblance.

66Fiat124NewFiat124&Ferrari275GTS
Top: The Fiat 124 Spider of the sixties and seventies. Middle: The “Fiata” – 2016 Fiat 124 Spider, introduced at the LA Auto Show. Bottom: The Ferrari 275 GTS.

Mazda’s MX-5 Miata has earned near-universal praise for having resisted the trend toward making succeeding versions of successful cars bigger, heavier, and more powerful. Instead they concentrated on driver satisfaction, making the cars nimble and responsive, with perfect balance.

Fiat took that chassis and clothed it in a shameless tribute to the sixties car. The result, in your correspondent’s opinion, is drop-dead gorgeous.

They sacrificed some of the Miata’s lightness in lengthening the car and giving it an unmistakable Italian flair. Instead of the Mazda’s fine 155 horsepower 2-liter four, they installed the Multiair turbo four from the 500 Abarth, which contributes a 10 horsepower bump and more significantly, 32 more pound-feet of torque.

If this car comes in at a small enough price premium over the Miata, it should sell sensationally, or there is no justice in the car universe. If they install a 200 horsepower Multijet turbo four and call it the Abarth version, even better!

Another “3-Series Fighter”

It’s been out a while, but this was our first look at Jaguar’s entry into the ongoing sweepstakes to see if anyone can unseat the BMW 3-Series as the entry level luxury Sport Sedan of choice. (See the Alfa Giulia above.)

Enthusiasts bewail the fattening-up of the 3-Series, so they may welcome the Jaguar XE that is reported to have returned to the foundations of the BMW 3-Series’ appeal. It is said to sacrifice perhaps a few inches of interior room to a lighter (thanks to a new aluminum architecture) more agile persona.

IMG_3200JaguarXE
The last vestiges of the Ford influence at Jaguar will soon pass as they replace the 2-liter turbo Ford four with a similar “Ingenium” base engine (with a turbo diesel variant) to go with the AJ V6 supercharged 3-liter.

Porsche 911 Targa

We confess that the charms of the original Porsche 911 Targa are lost on us. In our eyes the Targa bar interrupted the car’s lines, and made the rear window (when there was one) too vertical. Porsche has brought back the concept, and in so doing has, in our humble opinion, corrected that flaw.

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A good compromise between a coupe with a sunroof and the (IMO) hunchbacked Cabrio, the new Targa preserves the familiar profile while offering open motoring. This one had an as-equipped price around $125,000.

Car of the Year

Chevrolet made quite a haul this year, with their redesigned Volt garnering a Green Car of the Year Award, and winning both the Truck and Car divisions of Motor Trend‘s “of the Year” awards.

It’s difficult to accept for a hereditary Ford guy, but as good as the 2015 Ford Mustang is (and it is sensational), Chevrolet has come up with a serious competitor.

The previous generation Camaro was handicapped by a foundation shared with a sedan, leaving that car hundreds of pounds heavier than the Mustang, which is built on a dedicated chassis shared with no other car.

The new Chevy also shares its chassis with other cars, but it is the thoroughly modern one that underpins the Cadillac ATS, and comes in under the Mustang in weight. If you can get past the gunport slits they offer for windows, it appears that the cars compete well with the Mustang.

IMG_4071Camaro
Smaller, lighter, and more powerful than its predecessor, the Motor Trend Car of the Year Camaro is well equipped to compete in the pony car wars.

IMG_4063CamaroConvertible
Our rule for convertibles is that they have to look at least as good with the top down as the hardtop did before they took the top off. In our editorial opinion, the Camaro Convertible (not yet released) meets that criterion. In fact, without the letter-box windows, the car looks better with no top.

One note: It appears that Motor Trend has a typo in their data panel for the Camaro SS. That’s the one with the Corvette V8. They list the base price as $37,295 and the “as tested” price as $38,585 compared to their $46,380 estimate for a Mustang GT.

We went to Edmund’s and priced out a car with only performance options and came up with an MSRP for the Camaro of $48,275, and a comparably equipped Mustang Premium Coupe at $39,480. At that price, for 0nly $1,720 more you could get a stripped Mustang Shelby GT350 with its screaming flat-plane-crank V8.

Come on Down!

The Auto Show is always a challenge to reporters. There are just too many cars. We came as close as we could to getting a picture of every car at the show, taking just under a thousand pictures. Sorting through them and coming up with the ones you’ll want to see and read about is a tough job, but someone has to do it. Glad we could step up. We’ll have more in subsequent blogs.

 

CARMA is a publication of The OM Dude Press
a service of Options in Mobility
Author, Editor, Publisher, Reporter, Historian, Archivist: Dick Stewart.
All photographs are by the author unless attributed otherwise.

Click on the images to view more detail. If the cursor is a plus sign in a circle, clicking again will yield full resolution.

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The State of the Tech

Alt Auto Expo 2015

Every year about this time, Santa Monica, California, hosts a gathering of vehicles that attempt to circumvent the mainstream tech of the gasoline-fueled internal combustion engine, and display a variety of alternative means of getting from here to there. From the beginning there was promise of White Night technology that would knock the king off his throne, or at least offer an attractive alternative. So far the conquering hero has not shown up, but there has been incremental progress.

The Big Boys Weigh In

The first Alt Auto Expo had dozens of start-up companies offering all kinds of electric vehicles and those powered by fuels other than gasoline, or combinations of different technologies. We were no doubt in good company then, wondering which, if any, would shake out in the coming years. The evidence is that there are now basically four approaches with a good chance of surviving. The evidence is that the major manufacturers are investing in each.

Volt and Its Copiers

Second Generation Volt – Plug-in Hybrids

Chevrolet is where General Motors has chosen to invest its considerable resources in the variation on the Hybrid theme. Unlike the familiar Toyota Prius, their Volt mated a gasoline-powered generator to a sophisticated battery-powered electric drive system that was said to employ more lines of code in its control software than the Space Shuttle.

In that model, the engine seldom actually drove the wheels, but mostly generated electricity to recharge the batteries that supplied electricity to the motors that drove the car. You could plug it in at night when rates were low, and if your commute was moderate, you could drive it for weeks without filling the gas tank.

Nu Volt

There is a definite family resemblance to the original Volt, but the new shape is sleeker, less blocky. Interior space is up, with a fifth seat belt in the center of the back seat, really just giving the two back seat passengers more room. They were not offering drives.

By increasing its electric motors’ torque, reducing the weight of the batteries and increasing their power density, making the internal combustion engine both lighter and more powerful, and reducing weight (down 200 pounds), Chevrolet has pulled the neat stunt of making its new Volt roomier, quicker, and more fuel efficient when running on gas, with longer electric-only range (up to 53 miles).

The new Volt is a true hybrid now, with the gas engine powering the wheels under more circumstances. This takes a load off the batteries under cruising, and allows each power source to operate in its most efficient mode. There’s also a new menu option that allows more aggressive regeneration on deceleration, making it a one-pedal car under many conditions, freeing the gas engine from recharging duties for longer periods.

From GM’s point of view, the most important aspect of the redesign may be that the car costs less to build.

The i3 from BMW

BMW started with a cleaner sheet of paper for their i-series commuter car. They made a serious commitment to sustainable production, with the industry’s most advanced carbon fiber facility, run on hydroelectric power at Moses Lake, Washington. New techniques allow production of the i3’s lightweight carbon fiber chassis without the astronomical cost previously practical only on single-purpose racing cars and six and seven-figure exotics.

i3 Interior
Attractive optional BMW i3 interior features natural tanned leather accents and cloth made from 100% recycled polyester. The picture makes it look more dirt-vulnerable than it is. You can’t get in or out of the back seat without the complicity of a front-seat occupant. 

No rain forest hardwoods here. That’s eucalyptus on the dash, a wood that’s practically a weed in Southern California, and they harvest it sustainably. Other interior finishes include the carbon fiber composite structure itself, and scrap carbon fiber used as trim.

The i3 is first a BEV (Battery-Powered Electric Vehicle) but it’s also available as an extended-range electric, with a two-cylinder engine borrowed from BMW’s two-wheel stable. With that engine, the range is extended from 81 miles for the BEV, to 150 miles with the gas engine. Since the demise of the Fisker Karma, it’s now the only vehicle where that engine never drives the wheels. The reason for the short range is that the car’s gas-fueled range cannot exceed its electric range under California regulations, lest it lose its zero-emissions status and cost BMW valuable zero emission credits.

i3 At 2013 LA Auto Show Press Drive

Dozens of BMW i3s lined up for press drives – without chaparones – at the 2013 Los Angeles International Auto Show. The cars are terrific commuter cars, lively and nimble, changing lanes seemingly by mental telepathy. 

Audi E-Tron Plug-in Hybrid

Audi went the more traditional (if that word can be applied to such a recent trend) approach of the plug-in hybrid. It loses its California zero-emissions credit because its total range is more than double its 30 mile electric-only claim.

Audi A3 e-Tron Blue

Based on the hatchback version of the well-received A3 hatchback, Audi’s plug-in hybrid does not shout its green credentials as loudly as the graphics on the demo car. Its power port is cleverly hidden behind the four-ring Audi emblem (below).

Audi A3 e-Tron Plug

Marketing strategy for the e-Tron appears to depend on the driving experience, rather than the environmental friendliness of the cars. The 1.4 liter internal combustion four-cylinder is rated at 150 horsepower, with a boost off the line from its 102 horsepower electric motor.

Although they claim a 157 mpg capability, the circumstances where that can be achieved are probably no more likely for the average motorist than those under which most drivers will ever see its claimed top speed of 138 mph.

Audi A3 e-Tron Interior

Audi’s interiors are sometimes held up as the standard of the industry in their respective classes. Nothing in the A-3’s cockpit inspires lavish praise, but in our short drive it functioned well enough, in a kind of Teutonically efficient manner. Not much can be deduced about the car’s driving dynamics from our drive around the Civic Center block.

All-Electric

Range, performance, price – choose two.

Bolt – With a “B”

GM is planning production of a new all-electric car for 2017. A concept car was shown next to the new Volt. It is expected to be a direct competitor to the planned “affordable” Tesla.

Chevrolet Bolt Concept

All that they would say about the Bolt is that it would have a range around two hundred miles and cost about $37,500 before government incentives are applied. It will share the Sonic architecture and speculation is that it will use the same motor in the Spark EV below.

The Big Boy in the electric-only universe, Tesla, does not maintain a presence at the Expo, although this year they did loan an S85D (the dual motor car, minus the Ludicrous option that gives it a claimed acceleration from zero to 60 in 2.6 seconds) to the Petersen Automotive Museum for display under their inadequate shade pavilion.

Chevrolet

Chevy had two BEVs at the show – one to drive and one concept.

Chevy Spark EV

Most closely resembling the Honda Fit, in the Packaging Wars the Chevrolet Spark EV seduces with power and torque.

Chevrolet’s Spark, when saddled with the standard 1.2 liter four cylinder gas engine, has little to recommend it other than a low price. Substituting a 140 horsepower electric motor and 121 kWh lithium-ion battery apparently transforms the car. (We did not drive it.) The secret is 400 (yes, that’s four followed by two zeros) pound-feet of torque. An EV that’s actually fun to drive, and doesn’t cost BMW bucks!

Range anxiety is always an EV concern. GM has partnered with other manufacturers to develop a charging system similar to Tesla’s SuperCharger, that allows a Spark EV to reach a full charge in twenty minutes. Range is EPA rated at 82 miles, but we spoke with an owner who claims his Spark EV has made two (gently driven) trips to Monterey (about 100 miles) with charge to spare. He says his  lease was $500 down and $50 a month. Perhaps we misremember.

Kia Soul EV

Kia Soul EV

With a claimed 93 mile range, the Kia Soul EV beats all the other BEVs save the Tesla, has a price comparable to other commuter BEVs, and scoots about as well as the Fiat 500 e (below). Charge times are about the same as other BEVs, but the Kia hides not one but two charge ports behind a sliding cover much like the Audi’s. Each works with a specific charging system, adding flexibility to reduce range anxiety.

Fiat 500e

The appeal of the Fiat 500s, including the 500e, is partly for their cuteness. The Kia soul actively courts that perception with its giant hamster ads. You can get more stuff in the Kia.

e-Golf

e-Golf

Performance, range, and price of VW’s e-Golf are competitive, with a bit of extra sparkle from its excellent driving dynamics.

Choosing an electric-only car is a tough decision. Reputation will play a large part in many buyers’ selection process. Will news of Volkswagen’s cheating on emissions with their award-winning diesel powered products harm theirs and Audi’s? Stay tuned.

Hydrogen Power

For now, hydrogen power in cars means fuel cells. These are devices for converting fuel to electricity without burning it. Without going into detail, it’s basically exchanging ions, with hydrogen and oxygen on one side of the process and electricity and distilled water on the other.

Also for now, most of the hydrogen used in fuel cell vehicles comes from fossil fuel. Much of it was already being produced in the process of refining oil and making other products from natural gas, so it’s pretty carbon neutral at the current rate of consumption.

Getting that hydrogen to the people driving fuel cell vehicles is the issue. Several sources have come together to provide a refueling infrastructure for hydrogen-powered cars, but until those plans bear fruit, owning or leasing a Fuel Cell Vehicle remains a prospect for early adopters and the tech-obsessed.

The Toyota Mirai

Hyundai was the first major company to put a production fuel cell vehicle in the hands of consumers, but those Hyundai Tucsons are leased – and they weren’t letting us drive them. Toyota is the first to have confidence enough in their product to leave it in an owner’s hands for as long as the owner wants it, and to take their chances when they sell as used cars.

Mirai Inset

It’s one thing to say that a fuel cell produces nothing but distilled water, and quite another to watch it piddling onto the pavement behind the car (inset). Toyota’s Mirai is an electric car, motivated by electric motor like others. The difference is it makes its own electricity.

Mirai LF

Toyota says the evocation of a catamaran from the frontal aspect of the Mirai is deliberate. It comes from their desire to emphasize the “air in – water out” nature of a fuel cell. They still need a battery, and Toyota remains at least one generation behind the state of the art, with nickel-metal-hydrides instead of lithium ion or lithium polymer.  

The Mirai is about the same size as a Camry, though 2.5″ taller. They will be more than twice the price of that Camry, if it’s a hybrid, and weigh a hulking 4080 pounds. The motor produces 151 horsepower and 247 pound-feet of torque, roughly what Volkswagen was getting out of their 2.0 liter turbodiesel, before they were caught cheating on the emissions tests.

Our particular Mirai had no paper plate when our turn came up, so we got more ride and drive time than anyone else while we went over to Toyota of Santa Monica to get one. The result is that we observed that the car is much more solid-feeling than a BMW i3, but has a non-Toyota-like buzz on hard acceleration that is not present in other electric vehicles we’ve driven, except for a Volvo that was clearly too early in development for them to be letting us drive it. No doubt, when they first Mirais are delivered to customers, that buzz will be history.

So what’s the State of the Tech?

As stated at the start, there now appear to be four technologies that will be available to us when we go searching for a car that doesn’t just run on explosions and emit twenty-five percent of its fuel back into the atmosphere in the form of flatulence.

We predict that none of them is a real threat to replace the fossil fuel powered internal combustion engine for those who need one car for commuting, errands, and road trips, and who have average income – as long as gas stays under $6.00 a gallon.

For the next few years, expect the hybrid, and its heavier cousin the plug-in hybrid, to lead the way. The technology is mature and there’s an established market.

While installation of public charging stations accelerates, battery-powered electrics and those plug-in hybrids and extended-range electrics will gain favor.

Will private and public support remain strong enough to maintain the pace of installation of hydrogen refueling stations to tempt enough buyers/lessors to make fuel cells a viable business model?

We’re back where we were when these shows first stated that kind of question. We’ll be back next year to see if anything has changed.

CARMA is a publication of The OM Dude Press
a service of Options in Mobility
Author, Editor, Publisher, Reporter, Historian, Archivist: Dick Stewart.
All photographs are by the author unless attributed otherwise.

Click on the images to view more detail. If the cursor is a plus sign in a circle, clicking again will yield full resolution

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Monterey 2015 III

Chrome, Crystal and Brass – Monterey Mascots

Up until the late thirties, classic cars do not have hood ornaments. That’s partly because their “hoods” are usually huge panels connected with long piano hinges that fold upward to gain access to large complicated engines. You would have to mount a hood ornament on the top hinge, and then you couldn’t open the hood.

No. To lead the way forward and act as a statement of elegance, power, or just whimsy, many classic cars have mascots. They are mounted on top of the radiator cap, or on the top center of the radiator shell if the cap is concealed.

This year’s field of cars at Monterey was especially good for hunters of mascot images. Here are a few we encountered.

Wings

No, They’re not Wings

Probably the best-known of all radiator mascots is the Rolls-Royce “Flying Lady.” Also known as “Emily” or “Silver Lady,” her correct title is “Spirit of Ecstasy.” The original sculpture (there was a full size version, about four feet tall, at the Blackhawk Collection in Danville, California, the last time we were there) was sculpted by Charles Robinson Sykes, and modeled by Elanor Velasco Thornton.

Elanor (nicknamed “Thorn.”) was the secretary of John Walter Edward Douglas-Scott-Montagu (after 1905 titled second Baron Montagu of Beaulieu), then Editor of The Car Illustrated. Although married to Lady Cecil Victoria Constance Kerr since 1889, John Walter fell in love with Elanor. As such things went in those days (See any episode of Downton Abbey.) there romance had to be clandestine. Nevertheless, in 1910 he commissioned Sykes to create a sculpture.

The first, showing her leaning forward in fluttering robes with one finger to her lips was titled “The Whisper,” a metaphoric reference to their secret love affair. That one went on Lord Montague’s own Silver Ghost.

When some owners chose “inappropriate” mascots for their Rolls, the managing director of Rolls-Royce, Claude Johnson, commissioned an “official” mascot, choosing the same sculptor and model, and the result was the familiar figure that some wags called “Ellie in her nightie.” So they’re not really “wings” but her robes.

1914 Silver Ghost Mascot

There have been several versions of the famous Rolls-Royce Flying Lady mascot. Above, a fairly accurate rendering (The earliest versions have the sculptor’s name and the date on the base.) is shown as mounted on the radiator cap of the Antique Class winner, the 1914 Rolls-Royce Silver Ghost Kellner Torpedo Phaeton, which also won the trophy for Most Elegant Open Car.
Below is a later “Kneeling” version, 
mounted atop the radiator of the 1952 Phantom IV Hooper Sedanca de Ville that won Class H2 for Post-war Rolls and Bentleys.

RR Flying Lady

Lord Montagu’s affair with Elanor ended tragically. She was lost in 1915 when accompanying him to a post in India, and their ship was tropedoed off Crete. He survived the sinking after several  days on a raft.

1938 Alvis Speed 25 Mascot

Birds always convey a sense of speed and grace, like this eagle on a 1928 Alvis 25.

The Hispano Suiza Stork

In addition its the association with flight (Stork migration distances are legendary.), the stork has an ancient and distinguished place in mythology, symbolizing fidelity and steadfastness, among other qualities. All of this no doubt contributed to its selection by prestigious car maker Hispano Suiza (a French manufacturer) as their mascot after World War I, where it was the squadron emblem of French ace Georges Guynemer.

2 Storks 2

There were two “Hisos” in the field at the Concours. The literature does not explain the unusual upturned beak on the example on the right.

Packard Crane

Packards appear to have been popular cars on which to express individuality. As with the crane above.

Winged Wheel Bearer

Female figures with wings are a popular theme for mascots. This one is apparently carrying a spare wheel for the Packard she is leading.

RM Auburn Speedster Mascot

Ah! An actual “Hood Ornament.” This winged female figure adorns the supercharged Auburn Speedster offered at RM Southeby’s. Identical relief figures in profile appear on its flanks.

Gracefull Lady

Another interpretation of the flying lady, this one on a Cadillac. Another hood ornament.

2 Dueseys

Owners were free to select a different mascot for their cars. Some (like Rolls Royce) are rarely seen with mascots other than the official version. The usual mascot for a Duesenberg is a rather plain art deco interpretation of “flight” (two examples, one with color accents, above). Below is a different selection, a true “Flying Lady.” 

Duesenberg Flying Lady Mascot

duPont Pegasus Mascot

An honored marque this year was duPont. Something about these cars seemed to encourage their owners to chose a variety of mascots for their radiator caps, like this winged Pegasus bust.

Artistry in Crystal

As stated above, duPonts were popular mounts for a variety of Mascots, among them the artistic glass creations of René Lalique. Lalique produced no fewer that thirty different styles of mascot, two of which appear on duPonts at the Concours.

3 Eagle duPonts

Above: Three of the duPonts displayed, left to right, the 1929 Model G Convertible Coupe, 1931 Model H Sport Phaeton, and 1929 Model G 4-place Speedster, share the same design of Lalique Crystal Eagle’s Head. Below, the one mounted on the Petersen Museum’s 1929 Le Mans replica Speedster, unaccountably left out of the invitations to the Concours.

Petersen duPont Eagle

duPont Chanteclair Mascot

Above: The Lalique Crystal Chanteclair mascot adorned the 1928 Model G Merrimac Phaeton (below).

1928 duPont Merrimac Phaeton

Creative Expression

Back in the classic era, when a car’s manufacturer simply did not express the owner’s creativity sufficiently, what could one do? One did what car lovers still do today of course – they went to the aftermarket.

Frenchie With Context

A bulldog on a British Bentley. What could be more appropriate? But wait! Look at those ears! That’s no English bulldog. As custodians of one of these clowns of the canine world, we know that’s a French Bulldog.

Impala Mascot

Expressive and beautifully mounted, this impala mascot graced a Chrysler.

SS Jaguar R

The Swallow Sidecar company became SS Cars Limited, and branched out into four-wheeled sporting machinery. This fierce mascot is on an SS1, nicknamed the Jaguar by founder William Lyons, thus the  first “Leaper” of Jaguar fame.

duPont Deck Gun Mascot

The literature does not explain why New York artist Fred Dana Marsh, the first owner of this 1930 duPont, needed a deck gun on the prow of his Model G Merrimac Speedster.

Lincoln Greyhound

This greyhound often graced the prows of elegant Lincolns.

Fancy Free

When imagination is allowed to run free, there’s no telling what will come of it.

duPont Monkey Mascot

Reynolds duPont, Jr., owner of this 1928 Model E duPont Woonsocket Convertible Sedan (We did not ask if there was any relation.) says that he has two “Monkey with Grapes” themed mascots, but the other has the monkey hiding the grapes behind his back, and with that one mounted, he can’t get the hood open.

Top This

This is the third time this mascot has appeared in one of our blogs. There’s a reason for that.

Brass Indian On Snail Mascot

An American Indian in full headdress and cowboy boots, saddled up on a giant hornéd snail, complete with chain bridle – can we get any more fanciful?

CARMA is a publication of The OM Dude Press
a service of Options in Mobility
Author, Editor, Publisher, Reporter, Historian, Archivist: Dick Stewart.
All photographs are by the author unless attributed otherwise

Click on the images to view more detail. If the cursor is a plus sign in a circle, clicking again will yield full resolution

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Monterey Favorites

Just Cool Cars

We try not to make our blogs just a bunch of pictures of pretty cars, but there are so many at Monterey, and we just have to share.

A Walk down the Street

Your neck gets a workout just walking from your parking space to a restaurant in Monterey.

427 Cobra Curbside Monterey

We’ve seen Carroll Shelby’s signature on Kirkham Cobras made in Poland, so it’s no guarantee that the car is an original. Bob Bondurant is a significant name in Cobra history, but what his signature on the dash of a 427 Cobra means is your guess. Sweet ride, though!

Brass Era Buick

Right in front of the Cobra, as if to emphasize the breadth of automotive abundance at Monterey, a brass-era Buick touring car draws as much attention – if from a different crowd.

Vantage V12

Among the most beautiful cars you (well, some of you) can buy today, the Aston Martin Vantage V12. We liked it better in the V8 version without all the holes in the hood.

McLaren P1 Carmel

It’s one thing to see a million-dollar plus hybrid supercar on a stand in a car show, or even on the floor of an auction, but to walk down the street and find a 900+ horsepower McLaren P1 casually sitting at the curb, well, it must be Monterey, or Carmel in this case. The one at Gooding & Co, was gaveled at $1.75 million.

289 Cobra Peael Street Monterey

Too bad you can’t hear it. A 289 “Mk II” Cobra with California Plates “65 FIA,” referring no doubt to the cars that competed in the 1965 International Championship for GT Manufacturers, winning the Championship with 90 points to Ferrari’s 71.3. 

Ghibli TIPO 115

1966 – 1968 was a watershed in automotive design. The Maserati Ghibli (Tipo 115 per the correct black California license) is a benchmark of the period along with such luminaries as the Ferrari 365GTB/4 Daytona and Lamborghini Miura.

Ferrari 330 GTC Monterey

We’re not sure whether it’s a good or bad sign that we posted this picture, identifying the car as a Ferrari 330 GTC, without looking it up – first. The one RM Southeby’s offered at auction drew a winning bid of $650,000.

Little Does not Mean Insignificant.

Some of our fondest memories, as well as some cars that were the foundation of industry giants, started out small. For instance, the first Porsches to carry the name were powered by 1,000 cc engines.

Frogeye

Frogeye Yellow

At the lightweight end of the Sports Roadster scale – a couple of nicely detailed and correct Austin Healey Sprites. This is the kind of fun car that is impossible to build and sell today, and we are the poorer for it.

Super Seven

Take the minimalist attitude of the Sprite, add Colin Chapman genius, and pump it full of steroids via Cosworth, and you have a Lotus Super Seven. The concept was so strong that the design lives today in the virtually identical Caterhams.

356 Speedster

The Porsche Speedster commands a following all out of proportion to its capability, respectable as it is for a 1,600 cc roadster with a swing axle and no top.

Blue 911

With an engine under two liters, a pre-1970 Porsche 911 qualifies for the Little Car Show at Pacific Grove, but this is a 911 with a modified 356SC four-cylinder – the 912. It actually outsold the 911 its first year.

Black Giulia

The first edition of the Little Car show was unaccountably bereft of Alfa Romeos. That has since been remedied in spades. A little black Giulia Spider is lost among the exotics at the Concorso, but here among Crosleys, 2CVs, Minis and VWs it’s like a direwolf in a litter of chihuahuas.

Red MGA

If Dad had taken the 1958 MGA in which we learned to drive and stuck it in a barn somewhere before the Midwestern road salt had perforated it, this might be what it looked like when you pulled it out and dusted it off this summer.

The Tour Cars

Yes, you can see all the same cars at Pebble Beach on Sunday, but maybe you want to see your favorite vintage racers perform on the track at Laguna Seca. Then you can leave early from the Los Angeles area and watch many of them as they pass, from any number of scenic spots. Or spring for the five day package and get up early Thursday, because one of the thrills is seeing the cars disembarking from the transporters in the early morning dark, and capturing them as the light slowly grows. The Haggerty people won’t begrudge you a donut and a cuppa at their hospitality tent.

Cobra Daytona Tour 2

Cobra Daytona chassis number CSX 2602 was the fifth of six built. This is the livery in which it raced, except at Le Mans, where it carried the red and white colors of Scuderia Filipinetti. It won its class at the Concours.

Most Elegant Open Car

Perhaps sneaking in under the maximum model year for an antique, Doug Magee Jr.’s 1914 Rolls Royce Silver Ghost Keliner Torpedo Phaeton won the class, and also Most Elegant Open Car.

Flying Star Spider Fairway

The Concorso d’Eleganza Villa d’Este, on Lake Como in Switzerland, predates the Pebble Beach event by more than 40 years. This car, the 1931 Alfa Romeo 6C 1750 Gran Sport Touring by Carrozzeria Touring Superleggera (“superlight”) won the Coppa d’Oro there and its class and the Elegance in Motion Trophy here. The accents on the bonnet and sides had the car nicknamed the “Flying Star” Spider.

Alfa Spider Corsa

Nine of these brutal-looking racing Alfa Romeo 6C 2300Bs were built, winning the Italian Championship and their class in the Mille Miglia, Only one body survives, and this car, chassis number 815001, was restored to that configuration.

Grey Silk Gloss 300SL Carmel

Never let anyone tell you there’s no risk in driving the Tour d’Elegance. Andries Meuzelaar, owner of this 1955 Mercedes-Benz 300 SL Gullwing showed us a copy of the original build sheet for his car, indicating the unusual turquoise leather interior. It also specified a paint we had never heard of – a sort of semi-gloss satin grey. Then he showed me the consequences of having better brakes than the following car. The trunk now bears a scar, and much of the cars value, tied up in its originality and uniqueness, has been lost forever.

Mary Tod 01

1961 Lincoln Continental Mary Tod (Get it?) started the day modestly (above), but loosened up and went topless for the static display in Carmel (below). The results page at the Concours website lists no awards for  the Lincoln Continentals of Class E .

Mary Tod 02

The other Auction Cars

At the Auctions, it’s the eight-figure cars that get all the attention, it seems. Nevertheless there are always some cars that catch the eye but not the headlines.

There are always a few teasers out where you can walk around them at the big auctions, but to see the rest, you have to buy your way in. At Gooding, they always have a long black car with shiny chrome on a platform just inside the entrance where you are checked by security for your pass.

Gooding Packard Sedan

This year Gooding’s temptress was this Packard, a 1934 Twelve 1108 Sport Sedan by Dietrich, lot number 123. Formerly in Nethercutt and Harrah’s collections, the catalog gushes, “Arguably the most Beautiful classic era Packard.” At least two bidders agreed. It hammered for 10% over the high estimate – $3.3 million.

Red Gooding Cobra

Cobras are known by their chassis numbers. CSX 2208 had only three previous owners.  It cost its new owner $907,500 before taxes and registration. Their other Cobra, CSX2315, a Mk II with a racing history, sold for $858,000 with commission, perhaps because it was modified to FIA specifications.

1911 Fiat With Indian Riding Snail

Popular subject for photographers at the 2012 Tour and Concours, this 1911 Fiat Tipo 6 Demi-Tonneau has the most fanciful mascot we’ve yet encountered. Its new owner paid $880,000 for it, before taxes etc.

We included a shot of the Bertone Ferrari in the other blog, but it deserves more.

Bertone Ferrari Composite 2

In 1962 Ferrari’s Formula One cars featured a “shark-nose” style that was echoed in the frontal aspect of Giorgetto Giugiaro’s design for Giuseppi ‘Nuccio’ Bertone’s graceful Coupe.

IMG_2560RMTalbotLago

Sweeping Saoutchik bodywork on RM’s 1948 Talbot Lago T26 Grand Sport Cabriolet are somewhat compromised by clumsy bumpers. Estimated at $1.2 – $1.7 million, bids apparently did not reach its reserve.

DB6 Shooting Brake

When we were looking for a replacement for our faithful BMW 325iT Sportwagen, we never knew we could have had this 1967 Aston Martin DB6 MK I Shooting Brake for a mere $682,000 including commission.

Red Bentley DHC

If you are escorting a Best Actress nominee to the Film Festival at Cannes, this 1956 Bentley S1 Continental Drop Head Coupe is the perfect carriage, for only $1,155,000 at RM Southeby’s.

458 Challenge Evoluzione

Considering that it is not road legal,  the $242,000 paid for this 2013 Ferrari 458 Challenge Evoluzione is only the first of the expenses its new owner can expect to incur if there is any expectation that it will be driven. You don’t do hot laps on race tracks for nothing.

Black 275 GTB

We are on record as rating the 250 GT Lusso the “most beautiful Ferrari” but if we were voting on the sexiest, the 275 GTB/4 would be at the top. This exceptionally original car, winner of Preservation Class awards, drew a winning bid of $3.525 million at Gooding & Co.

959 Konfort

In 1988 Porsche introduced a model that stretched the meaning of the “911” to near the breaking point – the 959. In street trim, the cars were capable of nudging the 200 mph mark. This car has many special order features but we wonder, why bother paying to have a car painted it to match a sample, only to order it in black? The choice does not seem to have hurt its value. It sold for $1,650,000.

The Pebble Beach Road Race Cars

The early Ferrari Barchettas are significant, historic, and by American standards, simply improbable. We never really warmed to the design, though, finding them kind of stubby. Of the cars that raced on the Peninsula, two make our list of cars worth another look. One wonders though. What is the significance of the fact that neither car is powered by the legendary Ferrari V12, but by the simpler four-cylinders?

Scaglietti Spyder

The third-place car in the Concours class is this 1955 857S Scaglietti Spyder. It best matches our fantasy of sleek sexy Italian race cars.

1954 Blue Mondial

The car that won the Concours class, the 1954 500 Mondial awaits the start of the Re-creation Run. With driver aboard it seems almost absurdly small, until you remember it would qualify for the Little Car Show – it’s only a two-liter car.

Others

Winners

The Ferrari 250LM was the last of the Ferrari 250s. Enzo had it in mind to compete in the GT class against the expected onslaught of Corvettes and Cobras with their big reliable pushrod V8s by offering a sophisticated aerodynamic mid-engine coupe. The governing body wasn’t having any. They had been burned when Ferrari promised to homologate the GTO (the “omologato” in the “Gran Touring Omologato” of the GTO) by building 100 cars, and only built 36. The 250 LM had to run in the Sports Prototype class, but it won outright anyway – the last Ferrari to do so.

250LM

The “LM” in the 250LM’s name proved prophetic – once. This is the 250 LM Scaglietti Berlinetta that won Le Mans in 1964 with Masten Gregory and Jochen Rindt driving for Luigi Chinetti’s N.A.R.T.  It was acquired by the Indianapolis Museum and competed in the Preservation Class.

722 2005

Above: On the 50th anniversary of Stirling Moss and Denis Jenkinson’s epic drive in the 1955 Mille Miglia, Mercedes Benz brought their car, along with its transporter, to the Concours. Later, we captured a video of Sir Stirling driving the car on demonstration laps at Laguna Seca. Below: Ten years later. The car’s number, 722, refers to its departure time from the starting line, the faster cars leaving earlier to avoid too much passing. The two, with Jenkinson using hand signals to indicate approaching conditions, read from a scrolled set of scouting notes, averaged 99 miles per hour over 1,000 kilometers on narrow Italian roads. Superlatives utterly fail to convey the magnitude of the feat.

722

250 TdF Red andYellow

Maybe if the Ferrari 250 Tour de France that won the race was painted like this one, it would have sold for more than its $13.2 million price. This one was raced under pseudonyms by a couple of obscure drivers and won class finishes in the Nurburgring 1,000 kilometers and Le Mans 24 hours.

Outrageousness

F40 Concorso

Outrageousness always garners extra points with us, so this Ferrari F40 at the Concorso had to be included. This is the last Ferrari personally approved by Enzo Ferrari. With 487 horsepower out of 2,936 cc (when the Corvette made 230 from a 5.7 liter V8) and a body of  Kevlar, carbon fiber and aluminum, it had a top speed of 202 miles per hour.

And the Winner Is

In 1971 Le Mans winner and race car builder (and Car and Driver Nominee for President) Dan Gurney and Car and Driver editor Brock Yates drove a borrowed Ferrari 365 GTB/4 from the Red Ball Garage in Manhattan to the Portofino Inn in Redondo Beach, California. Slowed by snow in the Rockies, they finished in six minutes under 36 hours, averaging 80.8 miles per hour, including stops, and winning the second running of the Cannonball Baker Sea-to-Shining-Sea Memorial Trophy Dash. This is when the National Speed Limit was a much-reviled 55 miles per hour. They reportedly confirmed its top speed of 175 miles per hour and received one speeding citation.

Cannonball Daytona Inset

We featured a picture of this car, exhibited here in Class M-2 for Ferrari Competition, in our Ferrari 60th Anniversary on Rodeo Drive blog. After careful consideration, we’ve chosen it as our favorite car of the 2015 Monterey week, partly for its having participated in a rare automotive act of civil disobedience.

CARMA is a publication of The OM Dude Press
a service of Options in Mobility

Author, Editor, Publisher, Reporter, Historian, Archivist:
Dick Stewart.

All photographs are by the Author unless otherwise indicated.

Click on the images to view more detail. If the cursor is a plus sign in a circle, clicking again will yield full resolution

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Monterey 2015 – II

Monterey 2015 – Good, Bad, Ugly II

We’ve posted our take on the joys and frustrations of getting to Monterey, and what to watch out for if you attend Concorso Italiano. What about the rest? Here’s an abridged guide to how to make the most out of your trip.

No News

By the time you read this, the selection of Best in Show at the Pebble Beach Concours d’Elegance will be common knowledge, but you can’t really write about Monterey Car Week without mentioning it, so we’ll get it out of the way.

Hemmings Best in Show Image
Obligatory image of Pebble Beach Concours d’Elegance Best in Show. 1924 Isotta Fraschini (“Fras-Keenie”) Tipo8A Cabriolet, coachwork by Ramseier & Cie Worblaufen. (Easy for you to say.) Nice car. As you can see from the attribution, we didn’t take the picture.

The Good

Where else but Monterey in August could you find yourself crawling in traffic on a two-lane country road, and get passed by not one, but two Bugatti Veyrons going the other way, nose to bumper.

No denying it. The cars are great. We’ve said before that you could sleep in your car and still see and hear some of the most beautiful, significant, fast and expensive cars in the world at Monterey, But really, who’s going to do that? If you’re not, then before you make your plans, you ought to know what you are up against.

Accommodations – The Bad

Don’t get us wrong. You can have a great experience staying in Monterey for the duration of the festivities. But be prepared.

August is Christmas for Monterey hostelries. To make up for low occupancy rates the rest of the year the rate at the place where we stayed was three times what it was a week later. Nice rooms in Monterey itself can cost over a thousand dollars a night during Car Week.

We used to trade driving time for room cost. That’s a devil’s bargain though. The Motel 6 in Watsonville, 33 miles from the Lodge at Pebble Beach up US 1 is the most reasonable. Yelp has some nasty comments about the clientele, but it was an acceptable place to crash. You don’t stay at a hotel near Monterey during Car Week to spend time in the pool. The problem is that those rooms sell out pretty fast.

Most everything else is north along US101, from Salinas, about 25 miles from the Lodge, to Gilroy about 28 miles farther, and Morgan Hill, about 11 miles more. No matter which route you take, both those drives involve stretches of road posted at 55 miles per hour, with double yellow lines for miles. If you find yourself behind a dawdler, you’d better pack a large cooler of patience.

Another thing about driving: despite all the high speed machinery on the road, everyone up there seems paranoid. It’s as if they are all driving with their cruise control set at the posted limit. It tends to jam things  up. Of course that’s when traffic is moving at all, which is not always the case. So don’t trust Google Maps’ drive times. During Car Week they are a joke.

We will only divulge the location of our former secret press headquarters under extreme duress. It is 49 miles from the Lodge, but the price is about one tenth the lowest you’ll find in Monterey. It’s not listed on Travelocity, and trust us – you get what you pay for.

The Ugly

Hollister 2009
Our secret press headquarters, 2009. Marlon Brando’s 1953 film
The Wild One was based on a real event that took place in this town.

There was no motorcycle gang riot during our stay. The manager does welcome bikers. Don’t get on her wrong side though. A misplaced key (no fancy card reader locks here) and a night spent sleeping in the car because we couldn’t rouse her at 11:00, had us deciding that regardless of the low rent, her quirks were just too quirky.

You only need check Yelp to find the shortcomings of that Motel 6 in Watsonville. What they don’t tell you about the motel in Salinas illustrates what attendees at the Monterey car events will tolerate to be within 25 miles of the Lodge for “only” $183 a night. In the morning there’s coffee, but not in the room, and not so much as a donut in the lobby, no refrigerator, iron, nor microwave; a silver dollar size stain on the only chair in the room, barely sufficient light at the sink to shave by, intermittent elevator service (and us with a 3rd floor room), and a maintenance crew that uses a gas-powered leaf blower to sweep the decks. If you plan on partying and sleeping in, this is not your place.

On top of that, they discarded the kitchenware we’d brought anticipating that restaurants wouldn’t be open at 5:00 AM. The one Siri recommended opens at 7:00. They did not remake the bed and provide a new bath mat (one day), and the small, uncomfortable pillows smelled of . . . well, I don’t know what. Our photographer’s room had been smoked in, despite the “no smoking” label, and there was no fresh soap in the evening.

Accommodations – The Good

You have to really plan ahead, and compromise.

If you want to take in the whole Monterey experience, you’ll either need accommodations a long way from Monterey, a really good friend who lives on the Peninsula – and a patron at Rolex, or a hefty financial commitment. Still, if you can limit your aspirations to the signature events, it’s possible to see the good stuff on a budget.

The best events are the Tour d’Elegance, the Motorsport Gathering at the Quail, The Historic Road Race Reunion at Laguna Seca, Concorso Italiano, the Gooding & Co or RM Auctions, and the Pebble Beach Concours. If you can get into the Quail, you don’t need any advice from us, so you needn’t read further.

If you are going to the Concours on Sunday, you’ll see all the cars, so you can skip the Tour. You can’t see the races and the Concorso, or the races and Pebble Beach at the same time, so make your choices and plan to stay just two nights. All you Los Angelinos do what we did for next year.

You have to search a little, but some of the booking websites can make reservations as much as a year in advance. You need to find out when the Pebble Beach Concours d’Elegance is being held the following year (in 2016 it’s 8/21) and book as early as you can. It probably won’t save you on a bed but if you wait it will be too late.

Make reservations at a well-reviewed hotel in the Monterey area for Saturday and Sunday night. We found a nice place in Pacific Grove. Make your reservations for Saturday and Sunday night, and drive up early Saturday for the Concorso. Go to Gooding’s auction Saturday and Sunday night, and the Pebble Beach Concours on Sunday. This saved us about a quarter of what we paid for five days at that flea trap in Salinas this year, and we’ll be within bicycling distance of the Lodge at Pebble Beach.

Auctions

The Bad

You can’t be everywhere at once. Be content to attend either all of one auction or bits of several. If you do that, and stay several days, it’s possible to watch parts of maybe five different auctions. Check the on-line consignment lists to see where the cars that catch your interest will be bid. Some charge admission fees for spectators. The slick $100 two-volume catalog from Gooding gets you into that event. You won’t get into the RM auction without a bidder’s paddle. Watch it on the big screens.

Gooding Catalogs Large

Gooding & Co.’s slick two-volume catalog devotes as many as twelve full-color presentation-quality pages to marquee consignments. For $100 plus tax, it gets you and a companion into the hall with the high-rollers bidding on them.

The Ugly

It’s a matter of taste, but we’re put off by the livestock auction circus atmosphere of such auctions as Mecum, Barrett-Jackson, and Russo & Steele, with their rapid-fire high-volume auctioneering. If that doesn’t bother you, go for it.

Did we say the prices at the Concorso concessions are outrageous? How about $10 for a hot dog at Gooding & Co? We waited forever when the $15 sliders we ordered were accidentally delivered to someone else. On Sunday you’ll be riding the business-class shuttles back to your car – in the dark.

The Good

The highest bids at Monterey have been going to consignments at RM Southeby’s lately. They grudgingly gave us press access to the previews (you may have to pay $100 to get up close to some cars). This year their marquee lot was a 1964 Ferrari 250LM with an extensive racing history that sold for $17.6 million with fees. It was not on public display when we were there.

1956 Ferrari 250GT TdF

The 1956 Ferrari 250GT Tour de France Competizione above won the TdF that year, and the factory team lightweight 1953 Jaguar C-type below was raced successfully (three 1st place finishes at Goodwood) by Scottish racing team Ecurre Ecosse. Both sold for $13.2 million including fees.

RM C-Type

The Good(ing)

Gooding & Co. spreads a green carpet over acres of wood chips (not to mention the parking area and walkways) and sets up enormous aluminum and white canvas pavilions at the Equestrian Center above the Lodge at Pebble Beach.

The lighting and concessions are first-rate. (When they finally arrived, our sliders were fresh and hot, and to compensate for the mix-up, they gave our table three huge $5.00 chocolate chip cookies.) As bidding gets late (The final hammer falls around 10:30), Charley Ross (David Gooding: “The best auctioneer in the business,” with no argument from us.) cautions those in attendance to be careful when signaling for their free bag of kettle corn, so that they do not inadvertently bid on a multi-million-dollar car.

The cars are spectacular.

Bertone Ferrari Full Res

Very few Ferraris had bodywork by Bertone. Giuseppi “Nuccio” Bertone commissioned this car for himself on the Ferrari 250 SWB Berlinetta chassis. The stunning coupe sold for $16.5 million with fees.

Gooding 250 GT SWB California Spider

Even those for whom Ferraris are just expensive Italian cars that celebrities occasionally crash may know this one, in spite of themselves. It’s a real 250 GT SWB California Spider, the model immortalized in the film Ferris Bueller’s Day Off. It sold for $16.83 million, including commission, etc.

The Head-scratchers

1967 was a great year for cars. Among the flashes of brilliance was the Toyota 2000GT, a car constructed by Yamaha for Toyota that competed in price, specifications and performance with the contemporary Porsche 911S. Only 351 of these cars were built, a production comparable to rare and desirable Ferraris like the 250 GT Lusso. A few convertibles were built for product placement in the Sean Connery Bond film, You Only Live Twice.

Toyota 2000 GT

The car above is a rare left-hand drive 2000GT. Regardless of trends and million dollar expectations, it sold for $803,000 after fees.

Still, one has to wonder about how such values are decided, with this car selling for more than eleven front-engine V12 Ferraris at the same auction, including a bit more than two four-cam, six-carburetor 365GTB/4 Daytonas, often called the last of the great front-engine Ferrari sports racers.

Dirty Cars

Another value anomaly is the “barn-find.” We can understand the attraction of a well-preserved car if the original car was significant, but if it’s a beat up car that’s not particularly rare, and the upholstery can’t be sat upon, where’s the value?

Lot58 Ferrari Barn Find 1962 250GTE

Nearly 1,000 copies of the Ferrari 250 GT/E were made. If any Ferrari can be classified as “ordinary” this dirty barn find is close. You can’t really call it original, since the first owner had it repainted. Someone paid $418,000 to take it home. Another similar car at the same auction, properly restored, cost the buyer nearly twice that, so perhaps even a costly restoration might be worth the expense – if the owner does not keep it as is. 

Fiat Eden Roc with Inset

Only two examples of of this Fiat 600 Eden Roc were built. This is the one that was displayed (inset) while on loan to the Petersen Automotive Museum. Where you’d  look to confirm it we do not know, but it’s a pretty safe bet that no other Fiat 600 ever sold for more than the buyer paid for this one – $660,000. 

Sunday, the Pebble Beach Concours d’Elegance

The Ugly

There is no getting around it. Parking for the Pebble Beach Concours d’Elegance sucks. You can take a Taxi, Uber or Lyft; or hire a limo (if they are not already taken) but otherwise you park at one of the seaside lots at Spanish Bay and ride the shuttle buses. They are nice buses. They even have seat belts. But you are their prisoner for the day.

Gooding Pavilion

A nice variety of consignments greeted us at the Gooding & Co. Pavilion Sunday morning when we got off the shuttle bus. It was a good deal darker then. The nicer temporary restrooms are behind the hedge and screen on the right.

If you spring for the Club d’Elegance ($500 per car last I checked) you get VIP parking, which this year was near where the Shuttle buses stop. They may still have luxury cars that shuttle you from there to the Lodge. Other perks used to include one free poster of the Concours, signed by the artist, a commemorative paperweight, and catered breakfast and lunch.

Try to get to the parking around 6:00 or 6:30. That puts you at the lot nearest the Lodge, for the shortest ride to the Equestrian Center. No, the shuttles do not take you to the Lodge. It’s a bit of a hike from there (about a half mile), but once past the Golf Academy it’s downhill.

The Predawn Trudge To The Lodge

 The predawn trudge to the Lodge. Don’t leave your tickets in the car. Remember, you’ll be climbing back up that hill after a day walking the eighteenth fairway.

Concessions Pebble Beach

Concessions at Pebble Beach were somewhat more reasonable than at Gooding & Co. The menus changed later (this is a little before 7:00) with more choices. There is nowhere to sit and eat – nowhere. The commemorative program is $40. They hand out pocket guides to the cars on exhibit so you don’t really need it.

Pebble Beach Ugly - Gas Prices

Parking near the lodge and stores is scarce, but if you have reason to drive there, fill up before you go. It was $5.00 for a gallon of regular unleaded at the Lodge pumps ($5.25 for 91 octane), compared to $4.00 in Salinas.

The Better

As you trudge down past the hospitality pavilions of the various concessionaires like Infiniti, Cadillac, Kia, Tesla, or whoever, they will offer you stuff to eat and drink. Infiniti usually does it best with a catered snack spread later in the day, but that involves climbing the hill. One year they had one of those TV chefs preparing a nice entrée with two wines to sample.

There is a restaurant by the Will Call at the “Bag Drop” (They play golf here, too, you know – just not this Sunday.) with a very limited menu, but it is real food (not a “breakfast sandwich”), and you can sit down while they serve you at your table, so if you budget for it, you may justify it.

Practice Green 6:53 AM

Even if you had the advantage of the luxury shuttles to the Lodge, you still have a long walk to the 18th Fairway. This is the practice green, 6:53 AM, with concept cars and start-up prototypes on display. There are more restaurants in the Lodge, behind.

The Pre-Entrance Gantlet

Between the practice green and the actual entrance to the 18th Fairway where you get a lanyard to hang your pass on, it’s another downhill walk past the booths where they sell the poster, program, and chances to win a car, a Rolex, and jewelry. It’s all for charity. They raise over a million dollars for local causes.

On the Fairway

If you get to the 18th Fairway early enough, you get to watch some of the cars arrive. This can be an aural experience as well as a visual one.

Auburn Speedster Arriving

Early arrivals get to watch some of the cars drive in and stage. Here an Auburn Speedster, probably the 1928 8-115 of Al and Barbara Mason, attracts admiring looks and shutter snaps.

Libations Pebble Beach 2015

You can infer a lot about the target audience from the menus at the concession stands. From the above, you might expect many of them to be hung over. And they are not poor, if a bottle of Perrier Jouët Belle Epoque 2006 and two glasses costs $325, plus tip.

CCC Award Winning DuPont

The Concours honors particular marques each year, and this year was duPont’s, turn, among others. This is the winner of Class D and Classic Car Club of America Award, one three examples of the Model H built, owned by Richard Riegel, Bedford Hills, New York.

1929 duPont Model G Merrimac Special Sedan

2nd Place in Class D went to this 1929 Model G Special Sedan with coachwork by Merrimac owned by Lammot J. duPont of McLean, Virginia. Six of the marque were entered by duPonts. Curiously, none of the literature mentions any family affiliations.

Ephraim Photo Shah's Bugatti

Apparently their 1929 duPont LeMans Replica Boattail Speedster was nominated by the Petersen Museum but not accepted. Their spectacular 1939 Bugatti Type 57C Vanvooren Cabriolet was. The French gave it to Shah Mohammad Reza Pahlavi as a wedding gift. It won the French Cup, and took second in Class J-2 to the car below, the 1937 Delahaye 145 Franay Cabriolet of Sam and Emily Mann, which also won Most Elegant Convertible and a nomination for Best in Show.

Class Winner and Best in Show Nominee Most Elegant Convertible

Got to Have Ferraris

After a Ferrari won Best in Show last year, what could they do for a follow-up? They brought back some of the Ferraris that raced in the original Pebble Beach Road Races “among the pines” starting in 1950. On Friday, those cars participated in a “parade” at a spirited pace around some of the roads on which the race was staged.

Staging Race Ferraris

Ferraris that participated in the original Pebble Beach Road Races stage for a drive around the original course.

Race Ferraris Winner

Winner, Class M-3 for Pebble Beach Road Race Ferraris, 1954 Ferrari 500 Mondial Pinin Farina Spyder Series I of  Thomas R. Peck.

Race Ferraris 2nd

2nd Place: 1952 340 Mexico Vignale Spyder of Les Wexner. Mr Wexner also owns the third-place car, the 1955 857S Scaglietti Spyder below.

Race Ferraris 3rd

Mercurial!

Among the other special classes this year were Custom Mercurys from 1949 – 51. The custom shop in the Streetscape of the Petersen Museum used to have one of these “lead sleds” undergoing customization. A Petersen event celebrating these cars featured a rendering of Bob Hirohata’s chopped ’51. It was here on the grass at the Concours, along with the James Dean car from Rebel Without a Cause and others.

Hirohata Mercury

One of the cars that set the standard. The Barris Brothers chopped the top of Bob Hirohata’s ’51 Mercury Coupe and removed the B-pilar.

Rebel Without A Cause Mercury

James Dean was more of a sports car guy than a custom aficionado, and he died before this mildly customized ‘49 appeared with him on screen in Rebel Without a Cause, but that did not prevent it from becoming one of the most famous movie cars in history.

Faces in the Crowd

There’s no telling who you’ll run into at Monterey – literally. In 2006 we were at the RM Auction, turned around abruptly, and smacked into Reggie Jackson, who had been selling some of his collection.

Chuck Cantwell

If you read our July 25, 2014 blog on Shelby’s Step-child, the Shelby Mustang GT350, you’ll know the significance of this guy. Chuck Cantwell is the Chevrolet guy who Carroll Shelby recruited to run the development program for the car when he couldn’t be bothered to do it himself.

2 Views GT350 5S003

The car Chuck drove in the Tour, SFM5S003, the street prototype. There’s a story about the first Cobra being repainted over and over to fool the press into thinking there were a lot of cars. In a similar deception, this car has steel wheels on one side and Cragar semi-mags on the other, so that photos implied there were two prototype street cars.

The one incident that would have been ripe for name-dropping remains undocumented. Our first year at Monterey our camera battery died before we witnessed Brock “The Assassin” Yates bantering with Cannonball co-driver Dan Gurney and Automobile design critic Robert Cumberford about his class-winning dirt track racer, the Eliminator.

Bangle and Rahal

Left: Concours Judge and automotive designer Chris Bangle, responsible for BMW’s controversial “flame surfacing” look, particularly the ugly cut line on the trunk of the E65 7-series of 2001 – 2008.
Right: Three-time CART National Champion and Indianapolis 500 winner (as driver and team owner) Bobby Rahal answers questions about his GT350.

Tail of Two Stutz

Generally a preservation class car is one that has been lovingly cared for over many years, while a barn find is a car that has been neglected for a similar length of time. At the Tour d’Elegance, and later on the Fairway, we got a look at a car that blurs that line.

Wayne Carini And Judges

Collector, Restorer, and Chasing Classic Cars host Wayne Carini relates the story of his 1921 Stutz Model K Bearcat to the Concours judges, while his TV crew captures the scene.

In 1921 an Army surgeon, Dr. William A. Hagins, bought a new Stutz Bearcat. He enjoyed the sporty runabout for ten years, and when it began to run a little rough he took it home, put it up on bricks and removed the head. It turned out to be nothing more than a little carbon build-up, but before the repairs were completed, he passed away. He left his estate to his caretakers, who didn’t touch it. A retired Army officer who was hunting on the property discovered the car, and Wayne Carini of Chasing Classic Cars acquired it.

2 Stutz

A rare chance to see what a barn find might have looked like when new. The car on top is Wayne’s 1921 K, the winner of the FIVA prewar preservation trophy, while the one on the bottom is the First Place car in Class B for Vintage Cars, a 1920 Stutz H Bearcat. The only major difference is under the hood, where the Model K engine has a detachable head. Wayne had no explanation for the running board-mounted seat.

All that was required to recommission the car was a new head gasket, a fan belt, and new tires. Everything else about the car is original and as-found, except for the dust and critter droppings. We heard the car idle, and it’s as smooth and sweet a sound as you are likely to hear from a 94 year-old sports car.

We spoke briefly with Mr. Carini as he was waiting for the Judges, and as we’ve learned over twelve years going to Monterey, the people involved with these cars are as eager to talk about them as you would be about your own project car. We are drawn to these events by the beauty, engineering sophistication, and dazzling presentation, but it’s the stories that stay with us.

CARMA is a publication of The OM Dude Press
a service of Options in Mobility

Author, Editor, Publisher, Reporter, Historian, Archivist:
Dick Stewart.

All photographs are by the Author unless otherwise indicated.

Click on the images to view more detail. If the cursor is a plus sign in a circle, clicking again will yield full resolution

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